Sunday, 31 July 2016

BOOK REVIEW


 SHADOW OF SHAME BY NANA OTUA OWUSUA 1

Number of pages: 171
Number of chapters: 33

PLOT/SYNOPSIS

      The novel is written in medias res. The story follows a young beautiful girl Liza. Liza is a child born out of wedlock. Her parents Fiifi and May, two emotionally distraught students fall in love (page 25) and the result of the affair is a teenage pregnancy. Their very domineering, wicked and strict parents Mrs. Albertina Enchill (May's mother) and Mr. Roger Hayford (Fiifi's father) disown their children and brutally throw them out.
 "From today I am withdrawing all my support...Now get out!" (Mr. Hayford, page 75).
        Their parents withdraw their support at a point where their children need physical, moral and emotional encouragement. Fiifi drops out of the university and May is unable to write her High School final exam.
        Mama (May's paternal grandmother) comes to their rescue and supports both Fiifi and May through out their trying experience. Fiifi's uncle (Uncle Peter) dies six months after the birth of Liza (page 90) leaving Fiifi as the Director in charge of his "Salt factory." This renews Fiifi's hope and determination to succeed.
        Liza's stubbornness, waywardness and bad association due to excess freedom and pampering by her parents leads to her expulsion from high school just before she can write her final exams (Pages 14, 91,92).
       Fiifi in frustration ignores Kofi's (His friend) advice and sends Liza to Britain to stay with a relation named Joojo believing a change of environment will change her behaviour and keep her away from bad friends. Unfortunately, Liza is a spoilt child and very extravagant, lazy stubborn and desires only "the high life." She blackmails Joojo using his secrets she finds out and drops out of Secretarial school and moves in with a friend. She cuts off all forms of communication with her family in Nigeria and Fiifi realizes that Liza is "out of sight not out of danger" (page 126).
       Liza falls in love with the son of a wealthy man Tunde who is in love with her after his girlfriend Ronke leaves for Nigeria. He falls in love with her and is totally impressed by her sexual prowess "That night, she did to him what Ronke had never done before...to have a girl who was good in bed...From that moment, Liza could do no wrong in Tunde's eyes" (page 159). Tunde teaches her social morals and helps her to mend her messed up past life and reconcile with her family. Liza decides to 'turn over a new leaf ' after observing Tunde's life and family relationship. Her new way of life can be seen in her advice to her close friend Donna (page 165).
       Liza's life changes suddenly after breaking her spinal cord in an accident with Tunde who is wounded but she is paralyzed from waist down and her chances of walking on her feet are very slim (page 169). Liza has to return to Nigeria to "continue the healing process" (page 169). Tunde in his last letter writes "My love for you is stronger than ever..." (page 170) declaring his eternal love for her and encourages her to be determined "...This is not the end of our relationship...I will make a special trip to see you." (page 171) "I know you have the special will to fight, and this is the time to prove it..." (page 171).
      The novel ends with the letter from Tunde which Liza reads in the airplane taking her home to continue the healing process in Nigeria. (pages 170;171).

POINT OF VIEW
      Third person omniscient point of view.

SETTING
     The narrative is set in Ghana (Cape coast, Kumasi, Takoradi) and Great Britain. The era the novel is set in is the post-independence era in Ghana. The letters exchanged in the narrative have dates from 1967 to 1987.

CHARACTERS

Liza Hayford
Fiifi Hayford
May Enchill
Mr. Robert Enchill
Mrs. Albertina Enchill
Mr. Roger Hayford
Mrs. Rita Hayford
Tunde Tokunbo
Mama (Mr. Enchill's mother)
Joojo Johnson
Akosua
Dr.Kofi Karikari
Alex Boateng
Olu Tokunbo
Chichi
Donna
Izuka
Mr. Tokunbo
Chief Douglas
Diamond
Mr. Patridge
Papa Peter

Saturday, 30 July 2016

POETRY: Beauty of nature


Image result for water falls


ECHOES OF LIFE AND NATURE

Ice sheets and lots of mist
Rivers flow and sand in the midst
The sun sets and shadows cast
The moon shines to every caste
Autumn brings pleasure
Joy without measure

Spring sparks joy and flowers bloom
Every summer there’s never gloom
Twilight joy and morning love
Even the sky looks like a dove
Life is war
And death is raw

Raindrops fall and grass blades glide
When it snows little flakes slide
Waterfalls glisten in the sun
Flowers open when it’s dawn
Love is rough
And hate is tough

Sweet scents of the night
Bring forth beauty and light
Rivers spring from high mountains
Cut clean paths to form fountains
Beauty is seen in every creature

God’s beauty in all of nature

Friday, 29 July 2016

BOOK REVIEW

ANALYSIS OF THE LAST OF THE STRONG ONES BY AKACHI ADIMORA-EZEIGBO USING THE CRITICAL THEORY OF COLONIALISM



 

       Jurgen Osterhammel defines colonialism as "A relationship between an indigenous (or forcible imported) majority and a minority of foreign invaders. The fundamental decisions affecting the lives of the colonized people are made and implemented by the colonial rulers in pursuit of interest that are often defined in a distant metropolis. Rejecting cultural compromises with the colonized population, the colonizers are convinced of their own superiority and their ordained mandate to rule."
     Akachi Adimora-Ezeigbo in The Last of the Strong Ones explores this statement. The theme of the novel is "Colonialism and its negative impacts on the African society." The narrative follows the town of  Umuga which is plunged into "chaos" (page 1) "...The manner of change in Umuga was not positive...my soul cried out against the violation our tradition suffered and would suffer for a long time to come if nothing was done to counter the headlong rush to destruction."  (page 1). The coming of the colonial masters refered to as the "Kosiri" is considered "violation." "...Kosiri infested us with their presence" (Page 2).
       The coming of the Kosiri is also associated with ills and evils "...Ever since the day that Kosiri and his escorts entered Umuga from Akwaihedi, and camped in the sacred forest of Agwazi...danger pervades the place and life of anyone who goes there is threatened. Agwazi's anger has remained unabated." (page 5)
       The narrative explores that with the coming of the Kosiri (White colonial master) apart from unfortunate punishment from the gods, the Kosiri also try to impose strange policies on Umuga. "Kosiri tried to cram unfamiliar food into our mouths but we resisted and spat it out." (page 9)
        The people of Umuga try at first to resist the policies of the Kosiri as was done in many African tribes during the colonial era. The lives of the people and their tradition is torn apart by the Kosiri. "...Is there an act of humiliation Kosiri would not inflict on our people?" (page 10)
        The White man came with strange laws "...The fundamental decisions affecting the lives of the people are made and implemented y the colonial masters..." This statement made by Osterhammel is depicted in the novel as the people are forced to attend the White man's court and punished for not doing so. "Yes, four heads of families compelled to fetch water like slaves...They were accused of not attending, regularly, the Native court at Awka, where the White man sits in judgement of the black man, applying his own senseless and strange laws." (page 10)
       The tone is of humiliation and the language portrays lamentation of the humiliation and embarrassment inflicted on the Black man by the White men. "...They were forced to draw water from Obibia stream, for Kosiri's cows, as a punishment for what Kosiri described as their negligence of duty." (page 10)
        The authorial voice explains that the colonized people are treated lower than the animals by the White men (Colonial masters). The men fetch water for the "Kosiri's cows," the animals are considered better than the Black man.
        The Colonial masters are considered 'meddlers' and evil men and they undermine the culture, judicial system and economic well being of the Black man. "Oluada refused to co operate with any power(...) that planned to undermine the culture, the traditional judicial system and the economic well being of Umuga...Life had to go on inspite of the Kosiri and their meddlesomeness." (page 12)
        The foreign invaders come into Umuga and act as if they are convinced of their own superiority and attempt to rule the people of Umuga. This makes the people see the foreigners as the enemy. "Kosiri and their agents are the enemy and our anger should be directed to them." (page 17)
         The evils of the Colonial masters' presence runs from page 1 to page 212`(the whole novel). The White man is an "evil", "an enemy", "a meddler", "a social disintegrator", and "an economic destroyer." The Umuga people tried at first to plead and reach a point of Compromise with the White man but the Kosiri as described by Osterhammel rejects cultural compromises with the colonized population "It is the visitor that leaves the homestead not the land owner...We made no progress in talking to the Kosiri and his agents. Let us try writing a letter." (pages 21-22)
         The letter written to the Kosiri is rejected "How can I explain to you our surprise the way the Kosiri responded to our letter? Did we not breathe peace into the words of that letter? Was there anything we did not do to see that the letter carried words meant to clear the ground for future friendly association with the Kosiri?" (page 74)
       The church and the school become the prominent symbols of the Colonial presence in Africa. The youth's of Umuga realize this and burn down the school and church "...the symbol of Kosiri's presence in Umuga." (page 156)
        The Kosiri was brutal and is thus cast in the novel. The Kosiri made the first move to war against Umuga to prove their own "superiority and their ordained mandate to rule." "We heard that Kosiri was preparing to invade Umuga and had moved his troops to Isuohia" (page 178)
         The Colonial masters used the 'Black man to fight the Black man.' The Colonial masters considered the Black man unimportant and therefore used them against themselves. "But the meddlers did not fight with our warriors. Those who fought our men were black people like us." (page 184-185) "We heard that the commander, who was called Captain Gunn was a White man, but our warriors never set eyes on him." (page 185) "They used us against us and from the look of things, they would use us again and again against us." (pages 194;195)
        The White man fought Umuga with the intention to subdue them to bring them to their knees in surrender. "...Umuga was overwhelmed by enemy troops, shooting to kill and destroying anything in sight." (page 189) "...Government and all its agents were determined to bring Umuga to their knees...Kosiri did not want to destroy Umuga completely, but rather to teach her a lesson." (Page 192)
       The Colonial masters are also seen as greedy and decide to destroy Umuga's economy "The elders and warriors agreed to hand over all the male Obuofo and Ezeagha to the government; to mobilize eight hundred men to work at the Milikin Hill in groups of four hundred each time they were called upon to do so; to pay a fine of one hundred and fifty pounds and to surrender three hundred guns to the government." (page 197)
        The Kosiri left Umuga inactive, disillusioned, frightened and confused. "Umuada were inactive. Kosiri and the government had restricted meeting of all social and cultural groups. Thus it was not possible for our people to meet and discuss their pains and problems." (pages 200-201)
        Ejimnaka's sudden death symbolizes the sudden death of the culture and traditions of Umuga due to the colonial presence (pages 201-204).
        After Ejimnaka's death, Umuga is plunged into the dizzy spiral of confusion designed by the White men. "The alien intruders neutralized every activity or ritual that was not in their interest." (Page 205) "We are people who believe that both the eagle and the kite have a right to perch and that disaster awaits the one that insists that the other should not perch. The meddlers who took over the land did not share this belief." (page 206)  "...The visitor has driven away the landowner and taken over the homestead." (page 207)
        The coming of the White man bring in many strange experiences to the land of Umuga. Yams with "arms, legs and male genitals" are harvested by a farmer. A woman gives birth to a baby with hair on "its jaw and two upper and lower teeth locked in its gums." "Rain fell without cease...famine stared us in the face...awigu descended upon us and started to consume the leaves on the trees..." (page 209)
         The picture painted by the novel reveals that the Colonial presence in Umuga (Africa) is an abomination and a desecration of the land.



Thursday, 28 July 2016

BOOK REVIEW

FEMINISM AND COLONIALISM ARE DOVE-TAILED IN THE LAST OF THE STRONG ONES by Akachi Adimora-Ezeigbo

    In her novel The Last of the Strong Ones, Akachi Adimora-Ezeigbo is able to intertwine two critical theories. She explores COLONIALISM and FEMINISM.
    Colonialism and Feminism go hand in hand in the novel. They seem alike in the ideologies they advocate. both theories advocate equality - Feminism advocates equality of the sexes (gender equality), Colonialism advocates equality of all races and countries. Both theories denounce oppression and oppressors.
     Akachi Adimora-Ezeigbo fuses these two theories in one narrative. Both theories run together through out the narrative to move the plot further. the narrative explores and depicts the evils of the 'kosiri' (white colonial masters) and colonialism in the African society. It also portrays the freedom, rights, liberation, courage and successes of the females in a male-dominant society.
      The author pushes the story from the eyes of the women ("the recorders") and carries the women along in the colonial domination, the community's revolt, the defeat of the community by the white men and the dark era of Umuga (Africa). people are plunged into the chaos, sadness, confusion, disasters, trouble poverty and uncertainty the defeat in the war by the White colonial masters brings. Their pathetic state can be likened to the dark era when all forms of cultural enlightenment are withdrawn from the people excerpt a small remnant.
     The Feminism and Colonialism themes and theories are dove-tailed in the novel. The novel depicts the equality of "men and women" in an African Patriarchal society as we see in 'Ejimnaka  and Obiatu's marriage'. the Obuofo involves women who represent the females in the society. Women take part in the war plans against the 'Kosiri' (White Colonial masters).
     The novel depicts the evils created by colonialism in Africa. Social ties are broken down, cultural and traditional laws are abolished and the people are left confused and bitter by the new laws and orders enforced on them by the Colonial masters.
      The author successfully marries the two critical theories in the novel and both theories are the major themes in the novel and also promote the plot structure without creating confusion and disintegrating the plot of the novel.

...DETAILED ANALYSIS WILL BE PRESENTED ON NEXT POST. 

 


Tuesday, 26 July 2016

LITERARY PERSONALITY - WOLE SOYINKA

AWESOME FACTS YOU MUST KNOW ABOUT WOLE SOYINKA 

Image result for wole soyinka
Wole Soyinka
1. His full name is AKINWANDE OLUWOLE BABATUNDE SOYINKA
2. He is the first African to win the Nobel Prize in Literature
3. He is a cousin of  late Fela Kuti
4. His father was a Priest in the Anglican Church and a Principal of a school
5. His mother was an activist within the Women's Liberation Movement
6. He has six children
7. He dedicated his Nobel Prize Award to South African freedom fighter Nelson Mandela
8. As a child, Soyinka was a chorister in the church and regularly attended church services
9. He became an atheist later in life
10. His mentor is Wilson Knight
11. In 1971, his book The Man Died was banned by a Nigerian court
Image result for wole soyinka the man died

12. In November 1994 Wole Soyinka fled from Nigeria to USA
13. In 1997, he was charged with treason by General Sani Abacha's government
14. Wole Soyinka has been married thrice and divorced twice - his first marriage was to a British writer Late Barbara Dixon, his second marriage was to a Librarian Olaide Idowu and his third marriage is to Folake Doherty
15. He has lost a child - her name was Iyetade
16. He and six other students founded the National Association of Seadogs (Pyrates Confraternity) in 1952 at University of Ibadan - they are called "the magnificent seven"
Image result for wole soyinka seadogs
National Association of Seadogs
17. He is suffering from prostrate cancer
18. He has written about 102 books
                    and...
19. He is a great cook *smiles*



Monday, 25 July 2016

GIRLS IN SHOES by Ada RuChi

 GIRLS IN SHOES by Ada RuChi


High heels!
Pumps!
High heeled boots!
Wedges!
Box heels!
Students catwalk in shoes
Taking time to control each step
Lingering smiles as they move
Lips shining like traffigators
Eyebrows painted like charcoal stains on pot backs
Their faces so shiny they look like sprayed wood
Students without books
Bags too small, too meaningless
Big bags full of cosmetics
Their fake accents ringing
Guys smiling as they pass
Lecturers frowning as they pass
Other girls hissing in fake disgust
Women mocking and pointing
Students above lectures and lecturers
Students too big to walk to classes
Students who do not know "rain and sun"
Students who despise REAL students
Students of various colours
Students of varying shades
Students on fashion parade
Where are the sandals and slippers?
Where are the boots and simple flat shoes?
Their legs tell who they are
STUDENTS or Students
Girls in shoes!

Sunday, 24 July 2016

THE CRITIC AND THE PLEASURE READER

   


    Do you read a literary piece looking for the message and interpretation the writer is projecting?
    Do you read a literary piece because it is interesting, and you don't care about the message or interpretation the writer is projecting?

   If your honest answer is YES to the first question, you can be a LITERARY CRITIC
   If your honest answer is YES to the second question, you are a PLEASURE READER

  THE LITERARY CRITIC
     The literary critic examines, describes and 'throws-more-light' on literary works. The critic is concerned about the deeper meaning and main idea of the literary work. He asks investigates and evaluates the contents of a literary creation. The critic carries out an in-depth analysis of a literary piece.

THE PLEASURE READER
      The pleasure reader reads for pleasure as the name implies. He ignores the literary piece once he feels it is "boring". One mark of the pleasure reader is that at first he is interested in the literary piece but gradually loses interest and might not finish it. Another mark of the pleasure reader is that he would not usually be able to give the details of the story and might forget various parts of the literature.

Saturday, 23 July 2016

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